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ABOUT THE FILM

An unflinching look at hunger's toll

on the children of war-torn Yemen 

In March 2018, the UN reported that 10 million Yemenis were one step away from famine and that hunger is threatening an entire generation. Borne out of a sense of urgency at the sustained civilian suffering caused by the human-caused famine in Yemen, we embedded with a team of doctors and nurses working at Therapeutic Feeding Centers (TFCs) treating those most at risk of starvation.

Filmed from inside two of the most active therapeutic feeding centers in Yemen, HUNGER WARD documents two women health care workers fighting to thwart the spread of starvation against the backdrop of a forgotten war. The film provides an unflinching portrait of Dr. Aida Alsadeeq and Nurse Mekkia Mahdi as they try to save the lives of hunger-stricken children within a population on the brink of famine.
 

The film bears witness to the unfolding tragedy with a cinematic

eye - thus rendering horror watchable, and deepening empathy for our subjects and awareness of the significant civilian suffering
resulting from the current conflict.

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DIRECTOR'S STATEMENT

I believe that the most compelling films often emerge from a deep and abiding belief that - simply put  -

they must be done.

But is a passion to tell a compelling story and the craftsmanship to execute it enough? Five years ago, I decided it wasn’t. Despite a career of producing and directing documentary films that I felt were compelling statements on contemporary issues of our time, I came to believe they were not reaching a great enough audience nor activating sufficient change.

 

So I changed my approach to center on a single, core principle: empathy.  I believe that if we can generate empathy for others it becomes exceedingly difficult to create barriers. I call this approach Humanitarian Cinema and focused my next two films on studying the global refugee and displaced persons crisis with a cinematic eye and rendering films capable of eliciting empathy for the burgeoning refugee and IDP (internally displaced person) community.

 

The first two films of this Humanitarian Cinema trilogy were 50 Feet from Syria and LIFEBOAT. HUNGER WARD is the third and is borne out of a sense of urgency at the sustained civilian suffering caused by the human-caused famine in Yemen.

 

The film documents the human cost of the on-going conflict in the country and will serve to catalyze debate surrounding a largely forgotten war.

 

We are striving to create a film that activates both the heart and the intellect while simultaneously laying bare American complicity in the current civilian deaths in Yemen. We believe bringing to an audience the specter of a human-caused, preventable famine made possible by American tax dollars will ultimately strengthen the call for legislative reform surrounding U.S. military assistance to the Middle East.

- Skye Fitzgerald

 
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THE HUMANITARIAN TRILOGY

In 2015 our team produced 50 Feet from Syria – focused on the civilian impact of the Syrian conflict.

This was the first of a trilogy of films focused on one of the great humanitarian crises of our time – the plight of refugees and IDPs (internally displaced persons) in a global and interconnected world. We embraced a small-team, nimble production paradigm designed to prioritize intimate access from the heart of a crisis. 50 Feet from Syria was licensed by Netflix (US), Bell Media (Canada) Al Jazeera (15 countries throughout Europe and the Middle East) and numerous additional national broadcasts. The film was also shortlisted for an Academy Award by the Academy of Motion Pictures Arts and Sciences.

 

The second film of the trilogy, LIFEBOAT bears witness to refugees and migrants desperate enough to risk their lives in rubber boats leaving Libya in the middle of the night, despite a high probability of  drowning. LIFEBOAT puts a human face on the refugee crisis and provides a spark of hope surrounding how civil society can intervene in a meaningful way. LIFEBOAT was subsequently licensed by The New Yorker (US), Bell Media (Canada) and Al Jazeera (Europe/Middle East).  The film was also nominated for an Academy Award® and National Emmy®.

 

The third film of the trilogy is HUNGER WARD. Focused on the plight of starving and displaced civilians at the mercy of a forgotten war in Yemen, we utilize the same, nimble production paradigm to create an intimate, yet cinematic film intended to engender empathy for those most deeply impacted by the world’s greatest humanitarian crisis. After HUNGER WARD’s release, we intend to release the Humanitarian Trilogy as a cohesive whole, comprising nearly two hours of total running time.

 

In a political environment increasingly hostile to immigrants and refugees, we believe documenting the real-life plight of those fleeing war and oppression is as essential and important as ever and a vital call-out to the conscience of the entire global community.

 
 

PRESS KIT

Download the electronic press kit or for more information contact:

press@spinfilm.org

FILM NEWS & REVIEWS

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'HUNGER WARD' chosen for

prestigious DOC NYC Shortlist

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- Anne Thompson

Indiewire

'Hunger Ward' nominated for

Best Short Documentary

Critics' Choice Awards

 

- PETE HAMMOND

Deadline

Spin Film and Vulcan Productions Announce Skye Fitzgerald’s Short Documentary ‘Hunger Ward’

- MACKENZIE NICHOLS

Variety

FILM NEWS LINKS

 11/09/20 - Exclusive Clip: Oscar-nominated Director Skye Fitzgerald's 'Hunger Ward'
10/26/20 - 'Hunger Ward' nominated for Critics Choice Awards Best Short Documentary
10/26/20 - 'Hunger Ward' nominated for Critics Choice Award
10/20/20 - 'Hunger Ward' chosen for prestigious Holly Shorts Film Festival from Los Angeles
10/13/20 - 'Hunger Ward' highlighted in Holly Shorts Film Festival lineup & will be opening night film
 
 
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CREDITS

A FILM BY

SKYE FITZGERALD

PRESENTED BY

RYOT Films

PRODUCED BY

VULCAN PRODUCTIONS

A SPIN FILM PRODUCTION

ORIGINAL SCORE

WILLIAM CAMPBELL

EXECUTIVE PRODUCERS 

JODY ALLEN

 

RUTH JOHNSTON

MATT MILIOS

JANNAT GARGI

 

HAYLEY PAPPAS

MATT IPPOLITO

FEATURING

AIDA ALSADEEQ &

MEKKIA MAHDI

PARTNERS

Since its inception, Vulcan Productions has leveraged platforms ranging from film and television to XR and other emerging media to produce and distribute content that informs, inspires, and activates audiences – putting stories to work with far-reaching impact campaigns that advance new policies, shift individual behaviors, and contribute to significant institutional change. The team will continue to tell great stories and empower audiences to take action on important issues until Vulcan Productions sunsets in early 2021. During this time of transition, Vulcan Productions will continue to support its partners on existing projects.

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Spin Film is a documentary production company focused on bearing witness to unfolding tragedies with a cinematic eye. By rendering contemporary crises watchable, we believe we can deepen empathy and understanding and ultimately marshal human and financial resources towards mitigating the pressing emergencies of our day.  Spinfilm.org

RYOT is an immersive media company based in Los Angeles. Joining forces with more than 50+ media and tech brands at Oath, RYOT is one of the most prolific virtual reality and 360° content studios in the world. RYOT spotlights global and social issues, creating innovative 360° and virtual and augmented reality experiences for viewers. Their films span five continents and profile courageous individuals.

 
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